In dealing with religion[1] as an example of the artistic inheritance of the working class I intentionally started out with the most contested and difficult question. In this manner it will be easier for us to master the main problem. It is clear that the weapon with which the working class can and should master that inheritance is that criticism of ours which I have already described, with its new “all-organisational” standpoint of collective labour. Continue reading «The Workers’ Artistic Inheritance (1924)»
Footnotes
- See “Art, Religion and Marxism,” in the last issue of The Labour Monthly (August, 1924; Vol. VI, No. 8); also “Proletarian Poetry” in the May and June issues of last year (Vol. IV, Nos. 5 & 6), and “The Criticism of Proletarian Art” in the December, 1923, issue (Volume V, No, 6), all by the same author. [↩]



